Saturday, 8 November 2025

 Of my two grandmothers, my father’s was the most popular with us as children. My mother’s mother was a grimmer kind of person. I eulogised ‘Granny-in-Cork’ in my memoir A Runner Among Falling Leaves (Liverpool University Press 2001). The poem below is a characterisation of my maternal grandmother whom I spent many a night with when I was seven or eight, ‘to keep her company’. This is yet another poem I had forgotten about as my literary trajectory took various swerves and directions. As I now realize, it is no joke to be the age my ‘Granny-in-Callan’ was when I was seven or eight!


GRANDMOTHER


Blackcurrants, apples

in the back garden, turf

and wood heaped in the yard.

The hens’ feeding troughs


were halves of a sliced tyre.

She had the electric light,

a chemical latrine.

The acre was well let.


Fresh eggs in the morning

from the roosting shed.

Mick Reilly brought goats’ milk.

“How bad we are,” she said.


Tom Butler brought her pheasants

with half an eye to the acre.

“I’ve no meas on game,”

she declared and kept them for


my aunt and uncle who’d come

to keep her weekend company.

With precious little patience

for children on the stray


she’d be on the road with a switch

to beat me under the knees.

“Galang outs that,” she cried.

“Wait till your father hears.”


Funeral attendance

rates were of importance

to her: she’d count the cars

from behind her kitchen curtains.


With carving knife or breadknife

she’d cut hens on the head

and pluck them on the table.

“We’ll ate our ’nough,” she said.


Published in Trio 4 (Blackstaff Press, Belfast, 1985)


Sunday, 5 October 2025

I WAS ON THE POINT OF GIVING UP ON THIS BLOG.....

 ....when I saw two responses today that weren't totally off the wall and irrelevant, as most of the previous responses were, sadly to say.

The first was a beautifully relevant appreciation of my sonnet, 'The Heart in the Wall', with some questions which I tried to answer. I was somewhat late in getting back to the pseudonymous enquirer, as the appreciation was published on 05 January last! Coincidentally, I have just come back from a poetry festival in Italy in which I read the same poem with an Italian translation by Rita Castigli. 

I am encouraged to post the same poem again, as it is one very dear to me.

THE HEART IN THE WALL


In the boundary wall of a convent school

close to my home, there’s a heart-shaped stone

beneath hanging leaves. Half-meshed in sleep,

I’m waiting at a bus-stop by the wall

to join the Monday morning's obsequies, 

and notice that the stone has been redone 

bright red, the scrawl of teen initials gone:

a valentine shines nameless under boughs.


A boy once loved a girl who took the veil,

choosing the ghostly company of saints.

An old man now, at night he travels still

once or twice a year to rejuvenate

the heart contained within the convent wall.

Somebody holds a torch for him; he paints.



The other query was from a secondary school student in London asking some probing questions about 'Please Hold', which is on the EdExcel A Level English Literature Course. And as the fella said, 'If ya haven't heard of it by now, you're not really in the loop.'






Sunday, 5 January 2025

POEM FROM NEARBY WHERE I LIVE

 

This sonnet from my latest collection Angel Hour (2021) is based on a heart-shaped stone in the wall of a former convent school on O'Connell Avenue, Limerick City, not far from where I live.

Who keeps re-painting the stone bright red?

I suggest an answer to this question in the second part of the poem.


THE HEART IN THE WALL

In the boundary wall of a convent school

close to my home, there’s a heart-shaped stone

under hanging leaves. Half-meshed in sleep,

I’m waiting at a bus-stop by the wall

to join the morning rush-hour’s obsequies, 

and notice that the stone has been redone 

bright red, the scrawl of teen initials gone:

a valentine shines nameless under boughs.


A boy once loved a girl who took the veil,

choosing the ghostly company of saints.

An old man now, at night he travels still

once or twice a year to rejuvenate

the heart contained within the convent wall.

Somebody holds a torch for him; he paints.


© Ciaran O'Driscoll 2021